MuggleCon

November 12th, 2008

Green Mustard presents MUGGLECON: A Celebration of Fantasy, Magic & That Particular Boy Wizard on November 21st & 22nd in Orlando, Florida.

The event is a festival for fans of the works of J.K Rowling (Harry Potter) and Stephanie Meyer(Twilight) with partial proceeds going to Give Kids the World.

Orlando, FL, November 10, 2008: Green Mustard is proud to present MUGGLECON: A Celebration of Fantasy, Magic & That Particular Boy Wizard. The event begins Friday evening (November 21st) and runs into late Saturday night/Sunday morning. MuggleCon will take place at the Ramada Orlando Celebration Resort and Convention Center located right off Interstate 4 in Kissimmee, Florida.

The event will feature panels, workshops & entertainment themed around the popular works of J.K. Rowling (author of the Harry Potter books) and Stephanie Meyer (author of the Twilight books.) Game shows and costume contests will give attendees opportunities to show their knowledge and show off their craftsmanship to win prizes. Admission is $11 in advance (online only) or $16 at the door with $1 of each admission being donated to Give Kids the World.

One of the highlights of the celebration will be live performances from Wizard Rock & Twi-Rock bands each night. Slated to appear:

• Fred Lives (Wizard Rock)
• Hagrid & The Angry Skrewts (Wizard Rock)
• Mandala at Twilight (Twi-Rock)
• The House of Black (Wizard Rock)
• The Twilighters (Twi-Rock)
• Witherwings (Wizard Rock)

For complete schedule and event information, visit the official website at www.MuggleCon.com.

About Wizard Rock/Twi-Rock
In recent years, Wizard Rock (celebrating Harry Potter fandom) and now Twi-Rock (celebrating
Twilight fandom) has grown in popularity. In short: musicians write music about the characters
from their favorite books (and films) and perform the songs – sometimes as the characters
themselves.

MTV recently featured an article about this growing trend in fandom
(http://www.mtv.com/movies/news/articles/1561855/20070606/story.jhtml).

About Green Mustard
Founded in the late summer of 2001 as Wasabi Anime, Green Mustard is a fan entertainment
production group responsible for conventions and events in and around Florida. They have
produced events for a wide range of anime, fantasy & science fiction conventions including Anime
Festival Orlando, FX, JACON, and dozens of others.

You can learn more at www.greenmustard.com

Ancient City Con III

October 23rd, 2008

Ancient City Con III is now open for 2009 pre-registration for all artist alley tables, attendees, and dealer spaces. Once again, participants will have the option to either print a registration form from our online .pdfs and mail it in or use our secure online checkout through Paypal.

ACC3 will not be mailing tickets or other pre-registered items as they will be available for pickup at the day of the convention. Receipts are available upon request.

We are actively seeking gamemasters and panelists at tis time!

If you have any questions regarding pre-registering for the 2009 convention please don’t hesitate to contact us at ancient_con@yahoo.com

Christopher Gabaldon
Convention Director
www.ancientcitycon.com
www.myspace.com/ancientcitycon

Review: Elfen Lied

September 24th, 2008

by Otakuden

“Give me your tired, your poor, your huddled masses yearning to breathe free, the wretched refuse of your teeming shore. Send these, the homeless, tempest-tossed to me, I lift my lamp beside the golden door!”

A wholesome concept at the heart of acceptance, forgiveness, and belonging. But who are the forgotten, the tired, the poor, and the humble? When there is nowhere and no one to call home, then consequently there is an absence of hope. Without hope there is no light. Without light there is no warmth, no life.

Elfen Lied has unfortunately suffered a harsh and critical reputation do to the very graphic visual elements of blood splatter and dismemberment, abuse and suffering, physical and emotional torment, and utter despair. Their brutally honest depiction is the driving force behind Elfen Lied’s exposure of human depravity. There are no kids’ gloves to be found here or any censorship to spare the viewers from an oft ignored and sad truth – people are cruel.

Your father and little sister are brutally murdered right in front of your eyes, literally torn apart limb-from-limb. Such is the shock of the trauma that the young boy suppresses all memories of the incident and a large majority of the events surrounding it.

A mother curses her daughter’s existence for being a burden to her life, and ignores her cries for help as the girl’s step-father continues to sexually abuse her in the silence of the night. Terrified, alone, she finds her only friend in a fellow run-away puppy.

The crush of your childhood remembers nothing of your childhood promise or his shy confession of love. Years pass and when he finally comes back into your life, he is already attached to another young girl.

Brainwashed. Raised almost her whole life in captivity, she had at one time been free, and yet a prisoner of hatred, racism, prejudice and fear. Despised by everyone who knew her for being different, she happened to meet one lone boy who gave her the open acceptance and love she had never known her whole life. He was her world. And then betrayal.

Our vehicle of tragedy to carry the weight of humanities sins and salvation are the mysterious Diclonius. Purported freaks of human evolution and born with natural bone protrusions from their heads in the form of horns in males and cat-like ears on females. The Diclonius also possess an unknown and deadly power known as vectors which are telekinetically controlled manifestations of multiple powerful arms from their being. Capable of reaching varying distances and number of manifestations, they are usually invisible to the naked eye, thus humans seemingly explode and are torn to bloody pieces on their own as the Diclonius watch in cold detachment and sometimes warped pleasure. Despite their singular nature, Diclonius are each different in personality, power, temperament, and intellect.

Any Diclonius born is killed at infancy, or as soon as they are discovered and before their powers manifest at a very young age. The few who aren’t killed are captured, raised in captivity within the confines of a top-secret facility. Suffering an endless cycle of torture, torment, and experiments, their only contact with humanity is one of violence and cold objectification. It is no surprise then, should any Diclonius encounter humans, it would mean their immediate death. There are a few theories that the Diclonius are an evolutionary weapon and they seek to find their perfect mate to create a new race of humans after wiping out the old. But it is only a whispered purpose behind Elfen Lied’s message.

Into this world enters our cast of Kohta, Yuka, Mayu, Nyu, and Nana. Initially unrelated, these five characters meet over a spiraling series of events, all of which began with the Kohta and Yukas meeting Nyu on the beach during a crimson sunset. Alone, with no memories and the mental capacity of a toddler, the lost Diclonius is named Nyu by her new benefactors. Assuming the role of parent, it isn’t long before this ragtag yet tight-nit family grows with the addition of Mayu and Nana. In a world which has cast them aside like unwanted garbage, a thing, one young couple has given them back their humanity which had been denied them.

Suffering a split personality due to a severe blow to her head by a .50MG round during her escape from the facility, Nyu and Lucy vie for stability and sanity outside the lab and with their new family. Eventually the two progress towards a common conscience and goal – to protect their home and the love they have found. And in the case of Nyu, maybe even find possible forgiveness.

A smile and a hug can erase the stain of a cruel past and put an end to a vicious cycle.

The is the heart of Elfen Lied. Grievous sins can only find salvation in honest selfless deeds. Also, there truly is a darkness and depth of depravity that people, that humanity is capable of and whether we choose to acknowledge it or not, the simple truth still remains. I was greatly moved by the straightforward story-telling and the message it delivered. It took great courage to animate and depict in such vivid detail that human depravity and sin. For some it may have been too much to stomach, but I appreciated Elfen Lied in its whole and have found a new gem for my anime collection.

“Give me your tired, your poor, your huddled masses yearning to breathe free, the wretched refuse of your teeming shore. Send these, the homeless, tempest-tossed to me, I lift my lamp beside the golden door!”

How many of us can say that we truly understand, embrace, and live by those values? Can you? Can I?

To check out all of Otakuden’s reviews, check out her blog at http://otakudenreviews.livejournal.com/

Review: Bishoujo Senshi Sailor Moon

September 24th, 2008

by Otakuden

In every generation of anime fandom there is one anime in particular that either redefines or creates a new genre, sometimes both. From this anime is birthed a new generation of fans who embark on their journey of otakudom. No matter how many years pass or how much anime is watched, they will always trace their induction with nostalgic fondness back to that one anime which has since been the standard of all its successors to date and to come. There can be only one original.

Bishoujo Senshi Sailor Moon.

Based on the original manga by Naoko Takeuchi, the manga itself ran for a total of 18 tankoubans from February 1992 to March 1997. An epic romantic drama, Sailor Moon redefined and created a whole new genre of the mahout shoujo medium (magical girl) that to this day is still emulated. Following the manga storyline as accurately as possible and with consultation by Naoko Takeuchi, there were five seasons of anime which ran from March 1992 to February 1997 for a total of 200 episodes. In addition, three subsequent movies and an OVA special collection were also created along with a multitude of live Sailor Moon musicals. Up-and-coming producers, directors, seiyuu, and musical composers may very well not be who or where they are today if it was not for their work on Sailor Moon.

On a personal level, Sailor Moon was discovered by yours truly during my high school years which brought the wide world of anime back into my life, and this time for good. Weekday mornings were spent waking up earlier than usual to ensure I could catch the newest episode. If not, I would make sure the VCR was set to record. It didn’t take long before I was recording every episode no matter what. From my burgeoning passion I turned to the internet, looking at various sites and searches for more information on Sailor Moon. The deeper I delved, my blossoming otaku horizons were broadened and my eyes opened to three things that forever changed my life.

1) Sailor Moon as I was watching it on TV was edited and cut for US broadcast.
2) Sailor Moon was this phenomena called anime which was an infinitely vast creative medium which I had been totally ignorant of.
3) Fansubs aside, anime on VHS could be found in my local brick-and-mortar video store along with online.

Sailor Moon initially follows the bumbling misadventures of your cute and clumsy average 14 year old Japanese school girl. As the story slowly unravels, it becomes readily apparent that the true beginning of the story of Sailor Moon and her fellow Senshi began thousands of years ago in the Silver Millennium in the Moon Kingdom. Alas, a dark and violent tragedy struck at the happy citizens of the Moon Kingdom and the wheels of fate were set in motion. As her family, friends, and subjects fell dead before the invading enemy forces which consisted of Queen Beryl and her Generals from Earth, Queen Serenity of the Moon Kingdom used the last of her strength to seal the dark forces and send her people to the future. There they would be reborn and hopefully be able to live out their lives once more, this time in peace.

From there Tsukino Usagi and cast take center stage, weaving a dramatic tragedy replete with daily monsters and sometimes controversial subject matter. In both the manga and the anime, Sailor Moon broached some rather sensitive issues: homosexuality, transexualism, same-sex families, family division and rife, teen marriage, life and death, fate, true friendship, and hope. For a bishoujo anime geared towards the average teenage girl, Sailor Moon doesn’t pull any punches. Homosexuality in particular was embraced and expressed in a very natural though sometimes tragic fashion. But then, isn’t that just the way of life? Being gay was OK and it was natural; nothing to be punished or feared. The brutally cruel twists of fate that can lead to death and heartache weren’t lessened in any extent to spare viewers. Live can be all things and such denial is a corrosive poison which is harmful to everyone.

In the face of bitter life and death battles is the light of life and hope which will prevail, but sometimes at a price. All things precious and wroth living for must at times be fought for. As Usagi, the Senshi, and Mamoru fight, bleed, and die for us, our everyday normal happy carefree lives continue. Even when youma (demons) attack and the Senshi appear to save the day, there is no personal recognition, no Thank You. Instead, it is their own individual sense of duty, honor, destiny, and love for Earth and Humanity that is the Senshi’s reward. Even the most selfish, cruel, and dismal person is worth saving.

All life is precious.

For all of its seriousness, Sailor Moon has an overabundance of humor and silliness. Part of what sets Sailor Moon aside above all the rest and why it truly is a genre unto itself is the balance between a complex theme and a light-hearted tale of girls growing up while trying to find a peaceful balance between finding love and friendship and protecting the Earth.

The first four seasons and three movies of Bishoujo Senshi Sailor Moon were previously released in collections and single DVDs by both ADV and Geneon, respectfully. Unfortunately, the DVDs are long out of print. The last season, Sailor Moon Star, and the OVA specials collections have never been licensed. While the releases were for the most part uncut and unedited and for the first time available in Japanese with English subtitles, Sailor Moon didn’t receive the best loving treatment possible. An entire episode was left out of the second season and the original video masters along with the English subtitles were at times rather shoddy. That being said, I consider myself lucky to be a part of this timeless classic. I dream of it being relicensed and rereleased with the love and care that Sailor Moon and tachi deserve, but in the meantime, no matter how many years pass amidst a continuous plethora of anime I watch, Sailor Moon will always hold a very dear place in my heart as the progenitor of my otakudom.

To check out all of Otakuden’s reviews, check out her blog at http://otakudenreviews.livejournal.com/

Review: Detective Academy Q

September 12th, 2008

by Otakuden

Long detective TV series can be done one of two ways: refreshingly successful or boringly unending. I have partaken of both over the years, so I always find it exciting to make a new and refreshingly successful discovery of a long detective anime series.

Detective Academy Q is my most recent success story. Originally animated and broadcast in April of 2003 and through March of 2004 for a total run of 45 episodes, Detective Academy Q features a star-studded cast of who-is-who in the sieyuu industry, both then and now. I recognized seiyuu that I have enjoyed continuously over the 13 plus years of my otaku induction. Their enduring and widely recognized talent raises Detective Academy Q to the next level. Megumi Ogata, Aya Hisakawa, Houko Kuwashima, Koichi Tochika, Tomoko Kawakami, Hideo Ishikawa, Hideyuki Tanaka, Ken Narita… to name just a few. Add a veteran directorial and production staff, and you have a recipe for almost guaranteed success.

Based on the original manga Detective Academy Q by mangaka Seimaru Amagi and Fumiya Sato, the anime stands just as well on its own. Having not read any of the manga myself, I was able to follow the storylines and character development with no difficulty at all. The overall flow was smooth with very little noticeable hitches. Might I have benefited more having read the manga first; possibly, but that was not a personal deterrent from enjoying the anime.

Our main characters are Ryuu, Kyuu, Megu, Kazuma, and Kintaro. Talented on their own, these young aspiring detectives truly shine as they hone their skills through teamwork and mutual support. It is very refreshing to see not just one character blossom and outshine the rest, but instead to see the entire Dan Detective School (DDS) members of Class Q each blossom into fine detectives while overcoming multiple hardships and obstacles along the way. One could argue that Kyuu is the overall main character, but I disagree. Detective Academy Q ends with a successor to the DDS chosen but not revealed. I believe that the producers wanted to leave it open and up to the fans to decide who or whom would succeed Dan Morihiko as the leader of the DDS.

Detective Academy Q has a main antagonist in the form of the evil organization Pluto which seeks to solve your problems by orchestrating the perfect crime for you from the shadows. It was Dan Morihiko’s lifelong mission and achievement in destroying the past Pluto organization before he retired and formed the DDS in search of the next generation of great detectives. As a seasoned detective and man of intelligence, he knew it would be only a matter of time before Pluto resurrected themselves and brought evil once more into the world. Enter our young stars of Class Q (for qualified), the next generation of whom the DDS and the world may very well be placing their hopes and future on. It is possible that Pluto played a minor role in the early cases of Class Q, but more likely than not, Pluto didn’t become active until later in the series as Class Q became ever more skilled and refined and their future potential as detectives would be a danger to Pluto. To ensure their revival, Pluto awoke from its long slumber and once again started dabbling in the lives of the lost, confused, and scorned, all the while issuing a challenge to Class Q to stay out of their way or suffer the consequences.

The anime follows a standard case-of-the-day episodic formula, yet quite frequently that formula is broken into multiple episodes. Allowing a reasonable length of time to complete each case lends a heightened sense of reality to Detective Academy Q that other detective anime fail to grasp. Not everyone case, every puzzle, every mystery can be wrapped up in a neat little package in just one 24 minute episode. A crime may be cut and dry, but finding the road to successfully solving the crime may not be. Sometimes multiple episodes are required to fully flush out the characters, the story, the crime, and the reasons why.

Detective Academy Q is unfortunately unlicensed at the moment, but the complete series is available fansubbed. It is my wish that sometime in the future this excellent detective anime TV series will see a US license and DVD release. In the meantime, grab some popcorn, a drink, and join Kyuu, Ryuu, Megu, Kazuma, and Kintaro as they solve refreshingly original cases. I found it nigh impossible to stop watching as the hours and episodes flew by, bringing me to a very satisfying conclusion before I even knew it. I am sure you will, too.

To check out all of Otakuden’s reviews, check out her blog at http://otakudenreviews.livejournal.com/